Dan Pardo - Music Director - Latest News

Working at ACT of CT

3/20/2019

Last week, I came back from conducting a completely revamped production of Working at ACT of CT, a beautiful theatre in Ridgefield, celebrating its inaugural season. Led by Artistic Director Daniel C. Levine, Music Supervisor Bryan Perri, and Executive Director Katie Diamond, ACT was able to get special permission from the legendary Stephen Schwartz, who is both a Ridgefield resident and a member of their advisory board, to make serious rewrites to the book, and conduct 12 new interviews with local workers. They were beautifully integrated into the show through the use of a truly impressive video and projection design, making the musical a contemporary celebration of American Workers, instead of a time capsule period piece, which is a trap of the performing Working in its original version, written in the late 70s.

For me, the score still holds up tremendously well, so that stayed lovingly intact, with some minor structural changes, one new arrangement, and the inclusion of two newer songs written by Lin-Manuel Miranda for the 2011 London Revival. With a versatile cast of six and a four-piece rock combo, I was so pleased with how the show sounded. I was also lucky to work alongside my wife Chrissy, who served as the standby for all three female tracks.

THE NEWTOWN BEE: ACT Production Employs Updated, Localized 'Working' to Great Effect

"The cast is uniformly strong and vocally gifted. A live orchestra, under the direction of Dan Pardo, is superb accompaniment for the skilled performers."

TALKIN' BROADWAY: Everything comes together beautifully in ACT's production of WORKING

"The off-stage orchestra sounds fabulous, led by the masterful music director Dan Pardo, and, incredibly, even the individual songs written by so many different composers form a unified whole."

NEW HAVEN REVIEW: Reworked WORKING Works at ACT of CT

"With such a range of musical collaborators, the songs are varied in their styles, but all land with a snap, and the unseen musicians pack a punch for what is essentially a rock band."

BROADWAY WORLD: WORKING at CT of CT

"The talented live orchestra is led by conductor Dan Pardo on keyboards, and also features Matt Hinkley on electric and acoustic guitars, Arnold Gottlieb on electric and acoustic bass, and Dennis Arcano on drums and percussion."

A Second Connecticut Christmas Carol

1/1/2019

Was so happy to return to GOODSPEED MUSICALS this winter to spend a second holiday season conducting A Connecticut Christmas Carol, written by two of my mentors, Michael O'Flaherty and Larry Fecho. Directed by the great Hunter Foster, it was a nice mix of new and old. Some notable changes:

Got the show reviewed, with some nice press throughout central CT
Expanded the show from a somewhat bloated one-act to a tight two-act
Gorgeous new backdrop and other scenic elements
Cast Tony Nominee Robert Cuccioli as Scrooge, along with some new faces in the ensemble cast
Michael wrote a new song for Scrooge to sing, just before the third ghost

As an added bonus, Bob was kind enough to sit down with me and have a chat for my web series, Pardo's Turn. If you haven't seen it yet, please enjoy!

Fun Home at Weston Playhouse

8/4/2018

Fun Home came to a close this week, after nearly two months of pure bliss in scenic Vermont. The show, which served as the inaugural Equity production in Weston's new performance space, Weston Playhouse at Walker Farm, was a huge hit, and a joy for me to conduct. The houses were full and responsive; the reviews were fantastic, and the entire company - from the actors and musicians to the designers and run crew - got along famously. The show, directed by Malcolm Ewen, proved to be his last while serving as one of Weston's Founding Directors, along Tim Fort and Steve Stettler.

THE BARRE MONTPELIER TIMES ARGUS: Weston's 'Fun Home' Goes Straight to the Heart

"Dan Pardo, the music director, led the excellent five-piece pit band at the rear of the stage."

SEVEN DAYS - VERMONT'S INDEPENDENT VOICE: In This Home

"Transitions into song are elegant, and every word is spoken with the emotional freedom of music. The score by Jeanine Tesori quotes Motown and Chopin but chiefly moves energetically between plaintive and joyous."

THE CHESTER TELEGRAPH: 'Fun Home' is a must-see theater experience; a witty, endearing musical of serious themes

"Director Malcolm Ewen, with excellent assist from Music Director Dan Pardo, brings life and pace to this short chamber piece. They have honed this fine cast into a perfect ensemble that presents us with a vibrant, rhythmic evening of musical pastiche and a courageous story tempered by irony and tenderness."

"Pardo's Turn" – My new web series!

6/8/2018

I am so excited to share that my new web series, Pardo's Turn, is officially live on its own YouTube Channel! With each episode, I will analyze a great song from the musical theatre canon from a music director's point of view. I'll approach questions like, "what does the melody reveal about the character," or "how does the music support the lyric at this moment?" I'll talk about the significance of a song's harmonization, meter, or rhythmic motives, and hopefully I'll do it all in a way that's enjoyable, approachable, and informative. Then, I'll get someone cool to sing and discuss it with me. I was so honored to have the incredible Chuck Cooper, Tony Award-Winner for The Life, and recently seen in MTC's "Prince of Broadway" as my inaugural guest. We had a great time discussing Ol' Man River from the landmark musical Show Boat, and even had a laugh or two. I filmed episode #2 with the brilliant Nancy Anderson yesterday, and have exciting guests waiting in the wings for future episodes, like as James Snyder, Ellen Harvey, and F. Michael Haynie. SQUEE!!!

Stepchild at LPAC's Rough Draft Festival

4/30/2018

Massimo (Jacob Hoffman) sings and signs to his daughter, Orella (Catalene Sachetti-Manganelli) in the soaring ballad, "You Are the Only One" as Orella's voice (Nicole Vande Zande) and the Fortune Teller, Allegra (Alexandra Wailes) look on.

Earlier this month, I finished up a reading of a fascinating new musical, Stepchild, by David Boyd and Chad Kessler. Performed at the LaGuardia Performing Arts Center as a part of the Rough Draft Festival, it was a riff on the Cinderella fairy tale, but set in the Italian Renaissance, with a deaf central character, named Orella. The Prince and the Fairy Godmother were also brilliantly portrayed by deaf actors, and the rest of the talented ensemble cast were hearing/hard of hearing actors, proficient in American Sign Language (ASL). The story was told for a diverse audience in various combinations of singing, signing, and captioned performances, and received a tremendous response. It was great to reconnect with some old friends, too, including multi-instrumentalist Joe Brent and director Kim Weild.

A Connecticut Christmas Carol

1/7/2018

With Michael O'Flaherty (music and lyrics) and LJ Fecho (book). All three of us hail from Reading, PA.

It was so great to be back up at Goodspeed Musicals, my theatrical home, to music-direct a piece written by two of my biggest mentors: Michael O'Flaherty, Goodspeed's resident music director, and Larry Fecho, artistic director of Genesius Theater (which O'Flaherty co-founded in 1971, and where I grew up on and offstage). Hunter Foster directed, and Lisa Shriver providing the choreography and musical staging. The five-piece orchestration was masterfully done by my friend and colleague, Dan DeLange, with a superb cast led by Lenny Wolpe (Scrooge) and Michael Thomas Holmes (the Ghosts). With rave audience reviews (no critics are allowed at the developmental Terris Theatre), we fully expect A Connecticut Christmas Carol to become a perennial event for people in the "Greater Central Region of the Constitution State!"

Photos by Diane Sobelewski

'Company' is a HIT. Great reviews, Sondheim came, and we've extended!

9/3/2017

Wow. What a ride it has been, music-directing and conducting this production of Sondheim and Furth's Company at The Barrington Stage. Tremendous cast, great audience energy (complete with the wonderful and endearing Tveiter-Tots —Aaron Tveit's Super Fans— who came to see the production over a dozen times), positive reviews, and as of last night, the approval of Stephen Sondheim, himself. It will be hard to let this one go, but as we were recently extended a week to September 10th, I won't have to! And that's what it's all about, isn't it? That's what it's really about, really about!

THE WALL STREET JOURNAL: 'Prince of Broadway' and 'Company' Reviews: A Broadway Icon Pays Tribute to Himself

"Role for role, this is the best-sung "Company" I’ve ever heard—not just in regional theater, but anywhere. Dan Pardo, the music director, doubtless deserves a big slice of credit for the quality of both the singing and the playing of the nine-piece orchestra."

THE BOSTON GLOBE: Living single in a married world in Barrington Stage's vibrant 'Company'

THE BERKSHIRE EAGLE: Barrington Stage is fully committed to Sondheim's 'Company'

THE NEW YORK TIMES: In the Berkshires, Musicals With Ambitions Not Always Realized

"Mr. Sondheim’s score remains thrillingly incisive, dramatizing every issue in its path. Problems of interpretation tend to dissolve when the songs are sung and played as well as they are here."

RURAL INTELLIGENCE: A Welcome Revival of 'Company' at Barrington Stage

CURTAIN UP: Barrington Stage's 'Company' is so right

BERKSHIRE ON STAGE: Review, 'Company' at Barrington Stage

"The orchestra, only nine strong, led by Dan Pardo, honors Sondheim’s musicality with strength and depth."

THE DAILY GAZETTE: 'Company' a smart, funny exploration of relationships

"Indeed, the entire production, backed by Dan Pardo’s super pit orchestra, works splendidly in the nooks and crannies of Sondheim’s musical and literary imagination."

THE SARATOGIAN: Barrington Stage updates Sondheim's timeless 'Company'

THE ALBANY TIMES UNION: 'Company' is extraordinary in Pittsfield

"The expert music direction and conducting, of the nine-member pit orchestra, is by Dan Pardo"

PHOTO CREDIT: Daniel Rader

Back in the Berkshires – MTC and Company at the Barrington Stage!

7/24/2017

Performing "Making a Home" from Falsettos at the opening of our new Wolfson Center. The composer, Bill Finn, was in attendance, in addition to many community and business leaders, donors, local politicians, and friends of the theater

With a background in education, I always like seeking out opportunities in educational theatre. Among the best programs for college-aged students is the Musical Theatre Conservatory (MTC) at the esteemed Barrington Stage Company (BSC) in Pittsfield, MA, not far from Camp Greylock, where I worked between 2008 and 2010. The summer intensive selects roughly 15-20 students each season with backgrounds in performance and directing, and provides mentorship and daily classes by members of the BSC Faculty, guest artists, and other master clinicians. Performance opportunities include a series of cabarets, certain education/press events, the student-driven "directors' projects," and an end-of-the-season showcase. Students also understudy various roles, throughout the season. It has been my honor and privilege to serve as resident music director for this fine program, which is now in its final two weeks.

When I was asked to music-direct the 2017 MTC program, which is staffed through the education department, one of my hopes was that the experience would open some new doors for me throughout Barrington Stage, specifically as a music director/conductor down the road. BSC has had over 20 world premieres, including some big hit musicals like Spelling Bee. They also mounted the recent Broadway transfer of Bernstein's On the Town. Little did I know, their resident music director, Darren Cohen, was scheduled to leave the Berkshires early this season, and needed to find someone to conduct Company, starring the fantastic Aaron Tveit. To paraphrase a song from the show, "Someone [Was] Waiting," and that someone was me. We just finished our first week of rehearsals, and I couldn't be more thrilled. The cast. The material. The venue, all of it. Amazing. Excepting some individual concert pieces, Company will be my first professional Sondheim; it is also Chrissy's favorite show. Our first performance is August 10th; hope to see you up in the Berkshires!

How to Succeed Keeps on Succeeding!

1/30/2017

On Inauguration Day, when I was more or less in a pit of Trumpian Despair, I was happy to discover that The 5th Avenue Theatre's production of How to Succeed in Business Without Really Trying, which I music-directed, was nominated for nine Gypsy Rose Lee Awards by the Seattle Theater Writers, the Emerald City's only professional Critics' Circle. Yesterday, the winners were announced, and I am thrilled to report that we took home seven awards (in bold print), myself included!

Excellence in Production of a Musical (Large Theater)
Excellence in Direction of a Musical (Large Theatre) – Bill Berry
Excellence in Performance of a Musical as a Lead Actor (Male) – Eric Ankrim
Excellence in Performance of a Musical as a Supporting Actor (Male) – Adam Standley
Excellence in Performance of a Musical as a Supporting Actor (Female) – Jessica Skerritt

Excellence in Set Design (Large Theater) – Tom Sturge and David Sumner
Excellence in Costume Design (Large Theater) – Rose Pederson
Excellence in Music Direction – Dan Pardo
Excellence in Choreography or Movement – Bob Richard

I also have to add that the lovely Jessica Skerritt, recognized for her performance of Hedy LaRue, ending up losing to HERSELF, as she was nominated twice in her category, winning instead for her turn as Lina Lamont in Singin' in the Rain at Village Theatre. Congratulations, everybody!

On Tour with Marquee Five!

12/14/2016

The lobby of the The Richard and Karen Carpenter Performing Arts Center in Long Beach, California.

During my first full season at Goodspeed, I was thrilled to discover that our Fall production was slated to be City of Angels, arguably the jazziest original score ever to grace a Broadway stage. In the show, the "Angel City Four," a scatting, vocal jazz quartet propels the plot forward at various times, much like a Greek Chorus, but in very tight harmony. Rather than casting the performers individually, Goodspeed wisely chose four talented actor-musicians from an existing group, Marquee Five, to come to East Haddam as a package deal. Coincidentally, the bass of the group, Mick Bleyer, was an old friend of mine from Reading, PA. We had done community theater together way back in the day, but I hadn't seen him in nearly 15 years. It was amazing to reconnect with him, and meet his talented colleagues, (soprano) Vanessa Parvin, (alto) Sierra Rein, and (tenor/arranger) Adam West Hemming.

Fast forward five years, and the gang is back together, along with the fifth member of Marquee Five, the lovely mezzo, Lyndsey Buckelew. This Fall, we premiered a new set, Backporch Swing, in a show at the Laurie Beechman Theatre, followed by a tour of Southern California, Florida, and Virginia. Our time is California was amazing; we stayed with Adam's friend, performer Bree Burgess Rosen, while performing two nights at the Carpenter Center in Long Beach, and one night at No Square Theatre in Laguna, co-founded by Adam and Bree. We also performed on a morning radio show and facilitated two student workshops. I was lucky enough to catch up with my old Antietam friend, Jack Kubacki at our show in Long Beach, and meet my Mom's friend from elementary school, Delise Konigsbach, who came from San Diego with her husband Dan to see our show in Laguna. On our day off, I drove to Encinitas to visit my Cousin Amy and her family. Cousins Ezra and Arlo showed me around their neighborhood and ran me ragged at the playground. We also ate our fill of fresh-picked passionfruit and pomegranate – delicious! Florida and Virginia were more like whirlwind performance getaways, but fun and fulfilling, nonetheless. The Tin Pan was a great venue in Richmond, and our gig in Florida came with a camera crew! We'll post videos when we get the final footage.